FAMILY CHAPEL: it is always a difficult work to operate in a cemetery, "competing" against "the surroundings". Luckily the architecture I worked on was clean and neutral, already detached from the scenario built over the years. I have tried to do an "abstract" work even if the Cross itself is already iconic, narrating the path that every man takes during his life throughout volumes, cracks, engravings, thorns, etc,. As for the Madonna with the child Jesus, I opted for a decorative composition inspired by the Viennese Secession.